Netflix’s Sex Education is a show that’s quite frank about its approach in talking about…well…sex. From the teenager who gets anxiety about jacking himself off to showing the proper way to give a blow job, there’s really nothing that’s off limits in this series. Amidst all the talk about getting down and dirty, the show has characters who aren’t written as caricatures of high school teen stereotypes. Each one are wonderfully unique and complex individuals going through some of the same hang ups and awkwardness we may have gone through as teenagers. One of the main bright spots about Sex Education is the heartwarming friendship between Otis and Eric.
The phrase, “If it ain’t broke, don’t fix it,” can apply to a lot of the movies and television shows being considered for a remake or reboot. While Netflix, Hulu, and Amazon Prime give us a plethora of original content to binge watch whenever we want, big wig studios will still find a rhyme and a reason to want to take what was a hit back then and redo it all for a new generation of entertainment watchers.
I’ve been against most of the remakes and reboots I’ve seen or heard about. Why revive something when it already had a good ending? The reboot of The X-Files, while nice to see David Duchovny and Gillian Anderson reprise their iconic roles as agents Mulder and Scully, was a huge letdown overall during its two season run. Some shows are better off staying finished. Then there’s the remake of Roswell, the 1999 WB TV show that aired for three seasons before concluding in 2002. When the announcement was made about a whole new Roswell airing on the CW, now known as Roswell, New Mexico, I had no intentions of watching it. Eventually, I caved after a friend caught it and curiosity got the better of me. And now? I’m hooked.
With the amount of entertainment and streaming services at our disposable, there’s no shortage of things to watch in 2019. In fact, it can be downright overwhelming. How do you narrow down and prioritize which shows and films to watch out of the thousands competing for your time and binge watching dedication? In my case, watching trailers help me gauge what’s an absolute must-watch out of the ones that are lukewarm interest at best. Here are some of what will be on my Netflix queue.
The long arduous journey of Okabe Rintaro and the dire consequences of time travel has been the focal point of the original Steins;Gate, and later revisited in this year’s Steins;Gate 0. Through the exploration of the beta world line, where Okabe fails to save Kurisu Makise from death, the latest anime goes to deep, dark places before a ray of hope emerges for our tortured hero. It has been quite the trip in Steins;Gate 0, which recently aired its final episode for the series.
As the last remnants of summer fades away and autumn gracefully appears in all of her magnificent and colorful splendor, the days have been growing shorter, the rhythms of life relaxing into a steady hum of regular schedules and routines. September and October tends to feel like the calm before the rush of holiday obligations and preparations that come right after them. Summer has been a particularly busy time for me this year with vacations, trying new things for the first time, and entertaining myself with Netflix or games that caught my attention based on my mood at any given time. To give summer a proper sendoff, here are just some of what I’ve been busy with in the last few months.
Romantic comedies follow a basic formula—boy meets girl, boy and girl undergo challenges before they become a couple, and then boy and girl kiss to live happily ever after. There will be some variation of the formula, but it will always follow these simple principles. Some variations may sound good in theory but can be poorly executed. The recent Netflix teen romantic comedy Sierra Burgess Is a Loser is a prime example of a badly done movie with good intentions.
As we near the end of summer, there seems to be a bit of a resurgence for the romantic comedy genre, both on the big and small screen. The latest film to join the ranks is Netflix’s To All the Boys I’ve Loved Before.
With the advent of streaming services, like Netflix, Hulu, and Amazon Prime, summer has been the prime time to watch shows and movies during those months when major network shows are on break until the new season starts up again in September. Even though there’s now an overwhelming amount of options of shows and movies to add to our watch lists, I do like the accessibility and ease streaming sites give us to watch very specific genres at any time. This particularly applies to anime, and I’ve been using much of my summer to watch a handful in the past few months.
When books get adapted for screen or television, it’s almost certain there’s a clear and definitive end, at least if it’s not a book series being adapted. If you read the book prior to the adaptation, you get to decide if the movie or show is a worthy interpretation of its original source material. Or if you haven’t read the book before watching the adaptation, it may convince you to read the book. I’ve always been convinced a standalone novel that becomes a movie or TV show would always be enjoyed as a self-contained story, a one-time piece of entertainment to consume and re-watch whenever you feel like revisiting it. Instead, when a show or limited series becomes a massive hit, albeit a bit controversial, studios are quick to renew it for another season. That’s the end result of Netflix’s original series 13 Reasons Why.
The year has been good for anime so far. Thanks to making a recent decision to upgrade to a paid Crunchyroll subscription, I’ve been able to take advantage of the many new series being simulcast with the Japanese broadcast. I watched or added a few series to my queue list, like How To Keep A Mummy and Persona 5. In addition to new anime, it has also been the year of sequels to beloved original series that have ended many years ago. Among those sequels have been Cardcaptor Sakura: Clear Card and the newly released Steins;Gate 0.