There comes a time when you know you should probably quit a TV show when the quitting is good. But for some inexplicable reason, or maybe not too inexplicable if you’re willing to admit the more shallow reasons for still sticking with a show (i.e. attractive actors), you continue watching even as you witness a show that once had a solid beginning eventually go down a ditch and burst into flames. If 13 Reasons Why Season 3 could be described as a person it’d be a stumbling hot mess who you want to look away from but can’t, watching with morbid curiosity to see how far they’ll make a wreck of things until there’s nothing left to destroy. Spoiler Alert: It’s that and then some.
The old adage, “Do unto others as you would have them do unto you,” is one we hear constantly but isn’t always practiced as much as we would like it to be. What we say and do to everyone we meet matters, and a kind word or action holds as much power as negative ones do. The anime film A Silent Voice examines what happens when we don’t treat each other with compassion and understanding.
When Dontnod Entertainment released Life Is Strange back in 2015, it became the unexpected hit that invited gamers to get swept up in the friendship between Max Caulfield and Chloe Price, while helping them uncover the mystery behind popular girl Rachel Amber’s disappearance. However you choose to end Max and Chloe’s story, Life Is Strange is a complete game. But for developer Deck Nine, there’s still another story that hasn’t been told—the story of Chloe and Rachel.
The long arduous journey of Okabe Rintaro and the dire consequences of time travel has been the focal point of the original Steins;Gate, and later revisited in this year’s Steins;Gate 0. Through the exploration of the beta world line, where Okabe fails to save Kurisu Makise from death, the latest anime goes to deep, dark places before a ray of hope emerges for our tortured hero. It has been quite the trip in Steins;Gate 0, which recently aired its final episode for the series.
Romantic comedies follow a basic formula—boy meets girl, boy and girl undergo challenges before they become a couple, and then boy and girl kiss to live happily ever after. There will be some variation of the formula, but it will always follow these simple principles. Some variations may sound good in theory but can be poorly executed. The recent Netflix teen romantic comedy Sierra Burgess Is a Loser is a prime example of a badly done movie with good intentions.
As we near the end of summer, there seems to be a bit of a resurgence for the romantic comedy genre, both on the big and small screen. The latest film to join the ranks is Netflix’s To All the Boys I’ve Loved Before.
When books get adapted for screen or television, it’s almost certain there’s a clear and definitive end, at least if it’s not a book series being adapted. If you read the book prior to the adaptation, you get to decide if the movie or show is a worthy interpretation of its original source material. Or if you haven’t read the book before watching the adaptation, it may convince you to read the book. I’ve always been convinced a standalone novel that becomes a movie or TV show would always be enjoyed as a self-contained story, a one-time piece of entertainment to consume and re-watch whenever you feel like revisiting it. Instead, when a show or limited series becomes a massive hit, albeit a bit controversial, studios are quick to renew it for another season. That’s the end result of Netflix’s original series 13 Reasons Why.
Final Fantasy XV had a jam packed 2017 for DLC. Despite the game’s initial 2016 release, newer content is still being created and released even after players have ended their journey with Noctis and his crew. The most anticipated DLC fans of the game have been looking forward to are the companion episodes that dug deeper into key moments in the game that affected Noctis’ friends solely: Gladiolus, Prompto, and Ignis. With all three episodes now available to download and play, I review and rank each DLC episode dedicated to these lovable bros.
Almost everyone owns a smartphone. An entire life, both personal and professional, resides in that slim glowing gadget in your hand. We use apps to manage our day-to-day or to keep us occupied when you’re stuck on a semi-long commute to work on a bus or train. When game apps, especially free to download ones, were a huge thing in the early days of smartphones, it was the kind of mindless distraction you wanted to have with a tap of a finger. Angry Birds, Candy Crush, and Fruit Ninja were among the earlier app games that were simple to play in 10 to 20 minute bursts. It achieved the goal these games were meant to do––make the time go faster when you’re in the middle of a not so fun task or situation. Now we’re overwhelmed by so many similar game apps that it’s hard to keep track of. Over time, you become less invested in these game apps until they start collecting digital dust on your phone from lack of use. I’ve come to the conclusion that I don’t really want to own mindless simplistic apps that serves no real purpose in my daily life. I needed an app game that’s entertaining but with a purpose. This is when Duolingo entered my digital life.
The latest movies to come out of the DC extended universe have been mostly disappointing. The release of Man of Steel in 2013 was about an average reception by both critics and fans, some critical about the direction the story took, specifically Superman’s big battle with General Zod towards the end of the movie. Last year’s releases of Batman v Superman: Dawn of Justice and Suicide Squad wasn’t any better either. Both films suffered from convoluted stories, terrible editing, and really bad plot holes. The only good thing both films seem to have going for them was the brief introduction of Wonder Woman in Batman v Superman and Margot Robbie’s turn as Harley Quinn in Suicide Squad. With DC struggling to score a home run in the box office that its rival Marvel seems to be hitting without any real trouble, the only exception being Christopher Nolan’s Batman films, you almost had to wonder if DC’s time in the movie business may be over. Wonder Woman is the latest studio entry for Warner Bros. Pictures and DC Entertainment. A lot has been riding on this film to succeed and to pull DC out of its slump. Luckily for the studio execs and for the people who have been dying for a juicy female led movie that’s entertaining and more, Wonder Woman has pulled off what the previous roster of films haven’t.